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Character
growth: change, maturing
Adapted from Writers Workshop Script Doctor
Copyright © 1994, 1996, 1997, Dorian Scott Cole
One thing is very common to most people. Change. The man
who is here for himself is seldom altruistic. If he starts doing something
for others, there is a reason. The person who absorbs knowledge like a
sponge typically is not a people person who helps heal relationships. If
he starts talking about joining a relationship group, there's a reason.
The reason has to do with change. Most people, no matter what they believe
they are here for, change and experience growth. They live, they acquire
experience and knowledge, they integrate that knowledge into their minds
and their personalities and behavior, and they become a new person. This
is called growth. In a story, the character must change, and should do
so gradually from scene one to the ending scene. Sometimes characters refuse
to change, or refuse to see the need to change. Their change is more climactic,
and comes all at once at the climax.
Does a zebra change its stripes? Yes. It may take many
years, but as surely as people's cells replace themselves from every few
weeks to a few years, people do change and become new people. But growth
always brings with it some pain - parting, changing, facing our weaknesses,
stretching ourselves. Stories about change capture that magical moment
when change occurs.
Stories tend to fall into three general categories. First
is the adventure story with a main character who tends not to change. He
is the archetype, the bigger than life, perfect specimen of humanity whom
we can always count on to do the right thing and to triumph over problems.
He reminds us that the struggle to accomplish our goals is do-able, is
right, and is fun. He may be James Bond triumphing over world oppressors
and countless villains. Luke Skywalker triumphing over universal evil.
Indiana Jones triumphing over Nazi thieves. The TV cop or detective who
always solves the case and puts the bad guy behind bars (Knightrider,
The Commish). Or the countless average people like you and me who triumph
over countless terrors from within or from outside, whether its evil spirits,
(Ghostbusters, Friday The Thirteenth, The Exorcist, IT) or just
evil people (Fatal Attraction) or natural disasters (Towering
Inferno).
Adventure movies sell better than any other kind of movie.
They are society’s myths, the motivaters, the gods (representative), the
positive message, the things that tell us we will succeed and have fun
doing it. When you write an adventure movie, you must know what motivates
your audience, even as a vicarious experience or release, because that
is what must motivate your characters.
The second category of movies is about people who do change.
It isn't about a super-hero or archetype; it's about real people and the
process they go through in personal growth. It's about discovery. In contrast,
in adventure movies you know the end. The good person is going to triumph
in the end - you know that before you walk in the theater. But in other
movies, you don't know the ending. You expect that it is going to be happy,
but you don't know what will happen. That's because it is a process of
discovery that leads to a unique solution to the problem. It reflects life.
You hope for happy endings to your problems, you probably believe that
in most cases things turn out for the best, but you don't know what the
solution is going to be until you arrive there.
The third category of movie is about knowing. Exploring
knowledge. Exploring the form of the universe and what it holds for us.
Science fiction often falls into this category. For example, what happens
if you suddenly tell an entire world that there is a better form of government
or a science that will cure all their ills? What happens if you run into
a person who was once two other people who literally merged? What does
that tell us about our own world, and about ourselves? These movies aren't
limited to science fiction. What dangers might we face from a buildup of
nuclear weapons? What can happen if unscrupulous companies dispose of their
hazardous waste in illegal ways? What is it like to dog sled to the North
Pole? What are the limits of human endurance? What can blind faith lead
to?
But even keener than these "what if" questions are those
simply about the thrill of discovery and personal triumph. Movies are usually
about adversaries, about evil and problems and things that stand in the
way of what we want. There are also movies about the joy of life - the
thrill of discovery - satisfying the desire to know just for the sake of
witnessing it, standing in awe of the universe around us. This is movie
magic. Look at the settings used in movies. They are unique. Cameras take
us to places we have never been before: within a Mosque, to the depths
of the oceans, to the tops of skyscrapers, inside a human cell, to the
depths of space. Places people want to see just because they are there.
Or things to do like skiing down a steep mountain slope,
going over a cliff, falling endlessly, to land perfectly on another slope
and continue down. Hang gliding. A luxury cruise. Mining gold by hand in
the mud in South America. Sailing a Viking ship, a thousand years ago.
Or personal experiences like the Jamaican bobsled team
going for the Olympic gold. Carving a path through the Amazon. Teaching
college students to love poetry so they can have the joy of it. Proving
an atomic theory just to advance the world's knowledge. Bringing cultures
together to know and understand each other to diversify both. Bringing
people together to broaden their perspective.
All of these things are subjects. Topics. But movies aren't
about topics - that's a documentary. Instead of exploring these subjects
in documentaries, they are explored through entertaining movies that raise
a very important question. What does it mean to me? The implications are
explored by drawing us in through human drama. They are interpreted through
what we think we know about human nature. But they open doors of knowledge
and opportunity to us. The best movies are those which focus on one of
these three things while incorporating all of them.
What is life about? Learning, exploring, knowing, helping
others, accomplishing, relationships, experiencing, growing, making choices.
These are the same things that movies are about. Movies are colored by
the characters you
create, the adventures you put them through, and the
goal you wish them to achieve. |